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The Night of the Secretary General
By Paul Kirby (composer) & William G. Marx (librettist)
Directed by Lissa Moira |
Presented in partnership with the Musicians Club of New York
Foto: UN/DPI
TRANSIT ALERT: The A train is not running north of 168th Street this weekend. As an alternative, transfer to the 1 train at 168th Street and ride to 191st Street (exit via the tunnel to Broadway; do not take the elevators), or transfer at 168th Street to a free shuttle bus running on Broadway to 184th Street. |
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FREE EVENT (RESERVATIONS RECOMMENDED)
Saturday, October 21 at 7:30 PM MAP IT Sunday, October 22 at 5:00 PM MAP IT As the Secretary-General of the United Nations from 1953-61, Dag Hammarskjöld used his post and its “bully pulpit” to strive for world peace during the Cold War. Among the highlights of his tenure at the United Nations were his negotiation of the release of eleven US pilots captured during the Korean War; the establishment in 1956 of the UN Emergency Force; and his intervention— also in 1956—to help resolve the Suez Crisis.
After his death, Hammarskjöld’s book, Vägmärken (Markings), was discovered in his home, along with a letter giving permission for its publication. This deeply personal book revealed him to be a man of unshakeable integrity. Paul H. Kirby, composer, and William G. Marx, librettist, have teamed up to create a music drama centering on Hammarskjöld’s thoughts and ideals, as expressed in his own words, and as translated by Leif Sjöberg and W. H. Auden. The performances will feature baritone James Parks, accompanied by a 9-piece orchestra, conducted by the composer. Program Paul H. Kirby/William G. Marx - The Night of the Secretary General About the creators Composer/conductor Paul H. Kirby has served as music director and conductor of the Central Iowa Symphony, Iowa State University Symphony, Houston Youth Symphony and Ballet, and several other musical organizations. He holds degrees in music from the City University of New York (Doctor of Musical Arts), the University of Michigan, Michigan State University and Rice University, with additional study at the Mozarteum in Salzburg. He has been the recipient of a wide range of commissions including ballet, choral, organ, musical theatre, sonatas, and symphony. His musical arrangements, compositions, discography and resume are listed at library.newmusicusa.org/PaulHKirby. He is also keenly interested in supporting his fellow composers. In addition to sharing his financial expertise with the Musicians Club of New York as its Treasurer for the past decade, he also served as the first Chairman of the Musicians Club's re-instituted Member/Composers Committee, and has become a regularly featured composer and performer at its annual concert. Librettist William G. Marx completed his A.B. and A.M. degrees at the University of Michigan (UM) and his Ph.D. in English language and literature at Michigan State University (MSU). Dr. Marx’s academic interests lie in the study of early English literature, especially that of medieval English drama, the plays of William Shakespeare, and the life and work of Thomas More. His doctoral dissertation applied selected techniques of Constantin Stanislavski to the interpretation and staging of medieval religious drama. While serving in the U.S. Army in Germany, Dr. Marx directed a production of Samuel Beckett’s, Waiting for Godot, which toured half a dozen bases in the greater Nürnberg area. At MSU, he directed and acted in seven productions of medieval English drama that comprised some fifteen plays. For over 25 years, Dr. Marx worked as an assistant to the director of the Center for Integrative Studies in MSU’s College of Social Science. He retired from MSU in 2007 and now enjoys the honorable station of Senior Specialist Emeritus. Dr. Marx is co-author of the recently published Staging Salvation: Six Medieval Plays in Modern English (Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies, 2014). He has also published chapters on the character of “Mrs. Noah” in English medieval drama (in From Page to Performance, ed. John A. Alford, 1995) and on the life and works of Thomas More (in Icons of the Middle Ages, ed. Lister M. Matheson, 2012). About the performers Baritone James Parks, a native of Frederick, Maryland, was most recently seen in Southern Florida at Stage Door Theater in The Last Romance and Macomb Michigan, premiering Spaghetti in a Hot Dog Bun. In New York City, James is sought after for collaborating on new musicals and demo recordings. Recent new works include Bradley Cole, Dick Whittington: an Xmas Panto, and Tombstone the Musical. James was part of a national tour of Pinkalicious. Mr. Parks holds a bachelors of music from Peabody Institute of Johns Hopkins and a masters of music from NYU Steinhardt. |
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